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February 26, 2008

Dolly Parton remains classic in sound and image


A Barbie doll with a heart. (Courtesy of Dolly Records)

Look at her. Just look at her! Is that CD cover quintessential Dolly Parton or what? The woman has been our Backwoods Barbie for so long you have to wonder why she waited decades to use that phrase as a record title? Now, Miss Dolly's latest album, her return to mainstream country after years of bluegrass releases, is totally wonderful. But let's give another A to the photos in the CD booklet. There's one where Dolly, in full get-up, is mowing the lawn with one of those old-fashioned mowers. There's another of her on a small boat that floats along a picturesque river. Yet another of her, again in her signature wig, heels, makeup and dress, standing on the front porch of a rickety shack. They are just precious, classic stuff. Dolly has always been as much about the visuals as about the musical talent. Good thing with her both are top-notch.

New music Tuesday: Dolly Parton, Cowboy Junkies, Diane Schuur

Visit the music section for new music reviews and lists of CDs that will be in stores today. Then, tell us what you think. Leave your review below.

February 14, 2008

Coming Tuesday in CD Land


OK, that is a cool CD title. (Courtesy of Capitol Nashville)

Admittedly next Tuesday isn't a star-studded CD release day. But it is, however, a thematic CD release day. Most all of the noteworthy discs fit in the country/Americana genre. Leading the pack is mainstream country-rocker Chris Cagle's fourth studio effort, My Life's Been a Country Song. Also in the bins: Americana chanteuse Allison Moorer's Mockingbird; former Kinks honcho Ray Davies' Working Man's Cafe; Jayhawks founding member Gary Louris' Vagabonds; Nick Lowe's Jesus of Cool; Paul Thorn's A Long Way From Tupelo and finally Arlen Roth with special guest Levon Helm on Toolin' Around Woodstock. One non-rootsy CD worth mentioning is Lust Lust Lust by Danish pop duo the Raveonettes.

February 12, 2008

Michael Jackson's Thriller a quarter century later


The thrill of Thriller. (Courtesy of Sony Legacy)

Michael Jackson's landmark record Thriller debuted on Billboard's pop albums chart Christmas Day 1982. It was, of course, a monumental disc, spawning seven Top 10 singles, two of which hit No. 1. It took home eight Grammy Awards and has so far sold 26 million copies. It remains the biggest selling studio album of all time. So 25 years after its release seems like a good time to revisit it. Today Sony Legacy released a commemorative special edition of the opus, which features seven bonus tracks, six of which have never been released. One of them, "For All Time," is from the original sessions. Five others are reworkings featuring hot stars of the day such as Fergie, Kanye West, Akon and will.i.am. An additional DVD includes the short films for "Billie Jean," "Beat It" and "Thriller" along with the "Billie Jean" performance from the Motown 25: Yesterday, Today and Forever TV special. It's packaged very nicely as a book with a new cover, a shot from the "Thriller" video. For those who still have the original LP or the first pressing of the CD, this is a must. Michael wigged out later, but he and producer Quincy Jones crafted a masterpiece a quarter century ago.

February 11, 2008

New CD reviews: Hear what we're talking about


From the cover of Deaf Pedestrians' new CD, ... and Other Distractions

Hey, we've reviewed the new Deaf Pedestrians, Carrie Newcomer and Widespread Panic (gah, I keep accidentally writing Panic! At the Disco instead of WP). Read the mini reviews, give the artists' clips a listen, then tell us what you think.

Read the reviews here

Listen
Deaf Pedestrians
Carrie Newcomer
Widespread Panic

February 7, 2008

Mary J. Blige won't fade away


Gotta give Mary J. her props. (Courtesy of Geffen Records)

Listening to Mary J. Blige's Growing Pains CD and just mesmerized by two tracks: the fabulously melodic, rhythmic and old-soul wonderful "Fade Away" and the powerful R&B corker "What Love Is." There's no doubt Mary J. can sing. Not only that, she channels her inner emotions in every syllable. But in playing the game, she gets paired with rapper Ludacris and R&B singer Usher on so-so songs. By the way, what is Usher waiting for to release a new disc? That's another blog item. Anyway, she's at her best when her strong voice rides killer grooves like the clean, percolating vibe of "Fade Away," which is an original song, folks. No sampling! It can still be done. On "What Love Is" she's just passionately extoling the joys and pains of that four-letter word. You believe her, yes you do. There's a reason she's so revered.

February 4, 2008

Fat Tuesday music

See a video of one of the Blind Boys’ new songs: www.blindboys.com

Listen to a cut from Preservation Hall Jazz Band’s new CD: myspace.com/preservationhall

January 30, 2008

Tony Romo, Jessica Simpson sing ... just not here

Earlier I posted a blurb that went something like: Tony Romo sang "Don't Stop Believing" onstage Monday night with parody band Metal Skool at Key Club in L.A. The YouTube link that I provided for your viewing pleasure wasn't the right one (thanks C for the heads-up). Ends up Tony Romo sang the same song with the same band at the Palladium last summer, and that's the video I posted, whoopsie.

But wait, the plot thickens.

Continue reading "Tony Romo, Jessica Simpson sing ... just not here" »

January 29, 2008

Peruvian psychiatrist's flute "saved my life"


(DMN)

Check out Dr. Fernando Siles and the Peruvian flute he uses to supplement therapy.

Video
Story

Dr. Siles says the music doesn't replace therapy or medication, but according to one patient in the story, Dr. Siles' music "saved my life. It really did."

What do you think about music therapy? Have you or anyone you know had experience with it?

New Music Tuesday

The new CDs hitting shelves today include new music by Willie Nelson, Shelby Lynne and others.

Here's what we thought of the discs.

What did you think?

January 23, 2008

New CDs arriving next Tuesday


The majestic, mystic Sarah Brightman. (Courtesy of EMI/Manhattan Records)

So aside from Willie Nelson's Moment of Forever, which was mentioned below, sensual soprano Sarah Brightman has new music coming, a disc titled Symphony. So does Shelby Lynne, a sultry, supper club take on 10 Dusty Springfield gems dubbed Just a Little Lovin'. Also in stores: the Mars Volta's The Bedlam in Goliath; Joe Jackson's Rain; Pat Metheny Trio's Day Trip; Al Jarreau's Love Songs compilation; the Blind Boys of Alabama's Down in New Orleans; Linda Eder's Greatest Hits; Chistopher Walla's Field Manual; and the self-titled debut by Dailey & Vincent featuring bluegrass queen Rhonda Vincent's brother Darrin.

Willie Nelson music coming a-plenty


Willie's always all smiles. (Gary Goldberg)

Texan country music icon Willie Nelson turns 75 April 30. So let's celebrate with a deluge of Willie CDs ready for the plucking. Next Tuesday comes Moment of Forever, his new studio disc produced by Buddy Cannon and Kenny Chesney. It's a good one, folks, full of evocative Americana songs. On April 1 One Hell of a Ride hits stores. Ride is a four disc, 100-song box set tracing back to Willie's tunes from late 1954, early 1955. It should also include early '60s takes on classics such as "Night Life," "Funny How Time Slips Away" and "Crazy." Finally, April 29 sees the release of #1s, a single-CD compilation of Willie's chart-topping country and pop hits.

January 15, 2008

Don't mess with Miranda Lambert


If you don't already have this CD, get it! (Courtesy of Columbia Nashville)

We bash the major label recording industry a lot, especially Nashville, mainly for playing it too safe with signing artists, producing records and choosing songs to release to radio. But let us slap a big high-five to the execs at Columbia Nashville for boldly choosing Miranda Lambert's "Gunpowder & Lead" as the new single from her ferociously fantastic second CD, Crazy Ex-Girlfriend. The song is hardly drive-time airwaves fodder. It's a blistering, rock-charged, attitude-drenched account of one woman's fight with an abusive boyfriend that just got out of jail. She takes matters into her own hands. "I'm going home gonna load my shotgun," she sings, "wait by the door and light a cigarette/He wants a fight well now he's got one/He ain't seen me crazy yet/Slapped my face and shook me like a rag doll/Don't that sound like a real man/I'm gonna show him what a little girl's made of/Gunpowder and lead." If radio plays this with any kind of regularity, I'll be stunned! But if the controversial song gets people talking, that's great. Good music should cause a stir!

January 7, 2008

From the John Anderson vaults


Ninja Anderson? (Courtesy of Collectors' Choice Music)

Here you go fans of swampy country singer John Anderson. Tomorrow Collectors' Choice Music will reissue five CDs from the country neo-traditionalists' tenure at Warner Bros. Records in the '80s. The titles, released between 1981 and 1987, are: 1981's I Just Came Home to Count the Memories, 1983's All the People Are Talkin', 1984's Eye of a Hurricane, 1985's Tokyo, Oklahoma and 1987's Countrified. Each disc is remastered and features liner notes from Grammy-winning scribe Colin Escott. Mr. Anderson, who came back strong in 1992 with the million-selling, multi-hit set Seminole Wind, is credited as being on of the pioneers of the neo-traditionalist movement, which peaked in the late '80s with Randy Travis and Dwight Yoakam.

January 4, 2008

Next Tuesday in CD Land


(Courtesy of Rounder Records)

The pickings are slim at CD stores next Tuesday. The new year is still too young and folks are in Christmas bills paying mode. But let's not ignore Rhonda Vincent's new CD, Good Thing Going. The bluegrass queen gets better with each release. This one features guest stars such as Keith Urban and Bryan Sutton. Also on tap for the bins: Pretty Runs Out by New Orleans-based fiddle player and singer Amanda Shaw; Valentine by pop pianist Jim Brickman; the Juno film soundtrack; the Xanadu Broadway cast recording; Made of Bricks, the debut CD by UK songstress Kate Nash; and Some People Have Real Problems by Australian pop singer Sia.

December 31, 2007

Free online Radiohead concert

Current.com will stream a free pre-recorded Radiohead concert Tuesday at 7 a.m. and again at 8 p.m. The band will perform the entire In Rainbows album, as well as other songs. Share your thoughts.

December 27, 2007

Robert & Alison

Reader Alan emails to ask where in the Hades was Robert Plant and Alison Krauss'
Raising Sand on my year-end Top 10 list? Well....I agree it's a really good CD, and if i was doing a Top 20, it would have been on there. By the way, Mario Tarradell did have it on his year-end Top 10 country CDs list.

December 5, 2007

Celine Dion...a little more raw


(Courtesy of Columbia Records)

Let’s make one thing immediately clear: Most of Ms. Dion’s studio CDs are not stuffed with big ballads. She always toyed with dance-pop, some R&B and even a little rock. So Taking Chances isn’t as novel as it’s being marketed. That said, the biggest change on Chances is production. The disc sounds more organic, allowing her impressive voice to effectively rise above. Plus, she does try a few things. “Eyes On Me” has a percussive, Shakira-inspired world-pop feel. “That’s Just the Woman In Me” boasts bluesy-rock and Ms. Dion’s best Melissa Etheridge-styled vocal. “New Dawn” is a gospel explosion. “Right Next to the Right One” has a sweet, lilting, waltz-like flavor. She does misstep a bit, too. Her cover of Heart’s “Alone” adds nothing to the original, the title cut never quite gels and “I Got Nothin’ Left” slips by largely unnoticed. Still, at this point Ms. Dion could have coasted. Instead, she challenged herself.

The chance of his lifetime


(Courtesy of Columbia Records)

If you saw Paul Potts walking down the street, you’d never look twice. The UK native is the quintessential every man, just another working stiff. But when Mr. Potts opens his mouth, he’ll get your attention. The first winner of Britain’s Got Talent boasts a melodic operatic tenor that immediately embraces the inherent emotionalism of the style. On his debut CD, the former cell phone store manager covers all the angles, singing in English, Italian and Spanish. He does Broadway (The Phantom of the Opera’s “Music of the Night”), pop (REM’s “Everybody Hurts”), Christmas (“O Holy Night”) and the classic “Nessun Dorma,” which won him the Talent audition. Song per song, Chance is majestic without turning monotonous.

December 4, 2007

Will Mario's "Go" ever be a go?


Will this CD ever arrive in stores? (Courtesy of J Records)

CD release dates are subject to change. Record labels release them earlier or later than originally announced. Sometimes they get shelved all together and never see the light of day. But the case of contemporary R&B singer Mario's third studio album, Go, is just ludicrous. Get this: The CD has had EIGHT release dates. The latest? Next Tuesday, Dec. 11. Go was to come out Nov. 28, 2006. Then it got moved to April 4, 2007...then May 8...then July 31...then Aug. 21...then Oct. 9....then Nov. 27. Which leads us to Dec. 11. Whew! Will this CD really hit stores Tuesday? I'm not holding my breath.

Just because he can wear the charro suit...


The charro suit fits, but... (Courtesy of Universal Music Latino)

What to make of Latin pop singer Cristian Castro’s inaugural foray into ranchera music? On El Indomable, the longtime Mexican star dons a charro suit, slaps on a sombrero, poses atop a horse and sings accompanied by a mariachi band. He wanted to embrace the native music of his motherland, he's said. For help, he turned to ranchera king Vicente Fernández, who duets with him on “Golondrina Presumida” and “Morena de Ojos Negros.” Even while under-singing, Mr. Fernández has more vocal presence than Mr. Castro. That’s because Mr. Castro, 32, has carved a career out of churning out disposable pop ballads since his 1992 debut album, Agua Nueva. El Indomable brims with substantial material, but that's faint praise. Ranchera songs brought to life by a mariachi group playing violins, guitarrón, vihuela and trumpets inherently sound grandly emotional and important. Mr. Castro can carry a tune. But every time he aims for the extended high notes, the ones meant to convey heartfelt pain, his heft-less pipes can’t cooperate. He sounds like a serviceable pop singer trying to find the vocal strength.

December 3, 2007

What holiday CDs are you listening to?


Mario's post below about Christmas CDs got me all excited — I'm an out-of-the-closet Christmas music geek. (Be sure to check out his 30+ Christmas CD roundup).

My annual faves: White Christmas, Bing Crosby; Hill Country Christmas, Willie Nelson; Time Life's 3-CD Soulful Christmas compilation; When My Heart Finds Christmas, Harry Connick Jr.; O Holy Night, Luciano Pavarotti.

What do you listen to this time of year?

Also, I need your help .... Who is this artist?: You hear her version of "Winter Wonderland" streaming from retail store speakers a lot each year. It's a slower, modern version, and her voice is pretty low, melancholy. It has an undercurrent of ... techno? New wave? I'm going to slap my forehead when you say who it is.

November 30, 2007

Too much Christmas music, but...


(Courtesy of www.conwaytwitty.com)

Yes, there's a blizzard of Christmas CDs in the market this year. It seems artists emerge from hibernation annually to record a holiday disc. That said, some are welcomed trips into the past. Take the late Conway Twitty's A Twismas Story, which was originally released in 1983 and is now available as a physical CD from www.conwaytwitty.com and as a digital download on iTunes and other sites. Aimed at kids, and featuring Mr. Twitty's granddaughter Christi Prater as "Twitty Bird," who was 11 at the time, A Twismas Story indeed plays like a children's Christmas story set to music. It's a sweet, cute record filled with spoken interludes between Mr. Twitty and "Twitty Bird." For more holiday music, check out my extensive Christmas CDs roundup that runs Tuesday in GuideLive.

November 21, 2007

Loverboy's getting it started again


(Courtesy of RockSTAR Music Corp.)

Those Canadian pop-rockers are back with their first studio CD of new material in a decade. This disc won't rival the classic records, namely 1980's Loverboy, 1981's Get Lucky and 1983's Keep It Up. But it's hardly an embarrassment. Front men Mike Reno and Paul Dean are in good voice and they keep the songwriting simple, 10 cuts of catchy, guitar-fueled pop-rock with a ballad or two thrown in for balance. Nothing's particularly immediate here, not like "Turn Me Loose" or "Workin' For the Weekend." Yet the propulsive title cut, the chugging "As Good As It Gets" and the totally '80s-sounding ballad "Fade to Black" are fun listens. An interesting note, though: Not a single photo of the band in the CD booklet. Hmm.... Not photogenic anymore guys?


November 13, 2007

New CD reviews


I used this one because it's all scary looking and stuff.

I'm excited — a trio of discs by artists I like in today's Guide.

CD reviews: Duran Duran, Alicia Keys, Seal
In stores today: CDs, videos and games

November 12, 2007

CD review extra

So much for my plan to post a CD review a day ...

... OK: to catch up a bit, here's some thought on a few recent releases that I've absorbed in between live shows, Cowboys and Mavs victories, trips to the gym and sleep:

Nicole Atkins, Neptune City (Red Ink/Columbia): I'm suspicious of any artist that Rolling Stone decides to anoint an Artist to Watch (and you should be, too), especially one that doesn't have a ton of pedigree. But this New Jersey native's quirky songwriting approaches -- alt-country, show tunes, lounge jazz and folk punk are just a few more evident influences -- combined with her winsome and fluttery voice (she reminds me of Suzanne Vega with vibrato chops) are novel and intriguing. Standout tracks: "Maybe Tonight" and "Love Surreal." I concur: keep and eye on Ms. Atkins. She's not Colbie Caillat, but she's got more than one good song in her.

Continue reading "CD review extra" »

November 6, 2007

Flying Burrito Brother lovers, rejoice

While digging through archived Grateful Dead material recently, someone unearthed a trio of recordings by the Flying Burrito Brothers when it was headed by Gram Parsons -- yep, the same guy that's considered by many to be the godfather of alt-country.

Two of those opening-slot performances for the Dead in early April 1969 at the Avalon Ballroom in San Francisco were released today as downloads here. Touted as "the highest quality Gram Parsons live material available," the 27-track release is titled (deep breath) Gram Parsons Archives, Vol. 1: The Flying Burrito Brothers Live at the Avalon Ballroom 1969 and includes two Jimmi Seiter home recordings as well.

Dave's dark hourglass


(Courtesy of Mute/Virgin Records)

Depeche Mode lead singer Dave Gahan's second solo CD, Hourglass, isn't as somber and eerie as his first, 2003's Paper Monsters. Let's make that immediately clear. But uh, that's almost an afterthought. Hourglass sure isn't happy music, either. Mr. Gahan isn't capable of creating that. The opening track, "Saw Something," is as melodically haunting as anything DM has churned out over the years. Yet the intermittent problem throughout the rest of Hourlgass is that Mr. Gahan is nowhere near as savvy a songwriter as Martin Gore, who pens most of the Mode material. And sometimes he goes for raw noise ("Deeper & Deeper") over tempered and textured anger ("Use You"). But when he wants to, Mr. Gahan can channel dark beauty, as on the gorgeous ballad "Miracles." Overall, Hourglass is an engrossing piece of work. Just like Dave Gahan.

October 30, 2007

New music Tuesday: The Eagles

Legendary rock group the Eagles have put out their first studio album since 1979. Tell us what you think of the new album and tell us your favorite Eagles song.

October 29, 2007

Britney Spears photo gallery


For eight years, Britney Spears has been inescapable.

But just when you thought she'd finally embarrassed herself into oblivion, she
comes out with probably the best album of her career, Blackout.

Check out our photo gallery of America's unsinkable pop-dance princess through the years.

By the way ... will you listening to the new Brit CD Tuesday? Or would you rather cut yourself with it instead? Discuss.

October 26, 2007

What? We're not Pink enough?


The Pink: Left to right - Rick Wright, David Gilmour and Nick Mason (Courtesy of billboard.com)

Pink Floyd's entire studio recorded output, 16 discs in all, will be bundled together in Oh By the Way, a mammoth box set to be released Dec. 4 internationally. In other words, it will be available only as an import in the US. Well, bummer, cause the set will feature all studio CDs from The Piper At the Gates of Dawn to The Division Bell, a new portrait collage from artist Storm Thorgerson and a 20" x 30" poster. Sounds cool! The Pink always included mondo nifty artwork with its releases. Remember the iconic Dark Side of the Moon prism cover? Amazon.com has pre-orders of the box set available for $257.49 a pop. Wow!

October 24, 2007

Daily CD Review: Seether


(Courtesy)

Seether, Finding Beauty in Negative Spaces (Wind-up): To Wind-up Records, modern rock is most certainly not dead yet. Evanescence did fine with The Open Door; Stephenville-formed and now Florida-based band Submersed just put out its sophomore CD on the label, and South African outfit Seether gives us this product this week. Band head Shaun Morgan's looking quite fresh-faced now that he's out of rehab and done with Amy Lee (though it's darned funny how similar to Ms. Lee the doll looks on the CD cover). But is the new material fresh? Yes, but not in a positive way for the most part. Seether broke big several years ago because Mr. Morgan sounded and looked like a beaten-down nu-metal Kurt Cobain; now he's trying to cop the vocals and songwriting of Nickelback's Chad Kroeger while retaining the jaw-tightening angst of Staind. The swinging first single, "Fake It," is a novel and promising departure, as is the emo pop-flavored "Rise Above This," on which Mr. Morgan's voice shines brighter than it ever has. But the rest of Finding Beauty ... either feels too overdone or is unequivocably aimed at following what's selling in hard rock's marketplace. This CD will probably sell well, but it won't broaden anyone's landscape.

October 23, 2007

Next Tuesday in CD Land


(Courtesy of ERC)

It's all about the Eagles, baby! Long Road Out of Eden, the iconic group's first studio album since 1979's The Long Run is undoubtedly the most anticipated rock release of the year, maybe even the decade. Twenty songs, two CDs, available only at Wal-Mart. Look for a review Tuesday in GuideLive. Other than the Eagles, get ready for Britney Spears' Blackout, which will be out sooner than planned because of Internet song leaks, the Band member Levon Helm's Dirt Farmer, Backstreet Boys' Unbreakable, Avenged Sevenfold's self-titled disc, Josh Turner's Everything Is Fine, Will Downing's After Tonight, Latin rapper Baby Bash's Cyclone, Mario's Go and Bebe Winans' Cherch.

"Ultimately, Carrie Underwood's artistic abilities amount to a bunch of air."


But come on, Mario — she's really pretty. (AP)

With Carrie's new release, Carnival Ride, our Mario is not ... how do you say ... impressed.

What's your take on Ms. Underwood? The CD itself?

Read: Mario's CD review here.

Robert Plant and Alison Krauss?


Alison Krauss, Robert Plant (Pamela Springsteen)

Hooda thought.

The Current Queen of Bluegrass, a genre I grew up with and love; The Man of Led Zeppelin, who I could rock out to all day ... it just might work. I haven't heard their new collaborative CD, Raising Sand (in a Billboard mag interview, Robert said it is NOT a "duet CD." Even though it is). But the two are expert string handlers, so I can only imagine the pairing is amazing.

Tell us: Who's in your dream collaboration?

Daily CD Review: Dan Wilson


(Courtesy)

Dan Wilson, Free Life (American): In addition to his stint as front man for Semisonic, Minneapolis native Dan Wilson is otherwise known as a Mr. Dixie Chick, having written or co-written six songs on its latest, Taking the Long Way. Yep, there's more than one: Lloyd Maines, Rick Rubin ... oh yeah, Mr. Rubin. Last year's Producer of the Year at the Grammys (and the man behind Taking the Long Way's production) is such a big fan of Mr. Wilson's, he signed the songwriter to his American label despite the fact that it's much more known for heavier and headier acts (Slayer, anyone?). Heck, the normally statement-averse Mr. Rubin even wrote a letter in support of this release. Yeah, yeah, OK: I'll start talking about the music ... there's no doubt that the songwriting here is good: very compact adult contemporary pop ruled by smart melodies and efficient song movements mostly paced by piano. The feel is James Blunt without the bitterness, cutesy touches and rough edges. But with all of that refinement comes a risk, even in a relatively homogenous genre, and with a couple of exceptions late in the album ("Against History," "She Can't Help Me Now") Free Life feels cavalier with the breadth of its content. The first six songs are near soundalikes at first; differences only reveal themselves on repeated listens. Recommended for lovers of Mr. Blunt, Daniel Powter, John Mayer and the like, but not for edgier artists such as Damien Rice, Ryan Adams, Ian Moore and such. Free Life is too refined to appeal to the latter much.

October 22, 2007

Gary Allan rocks!


(Courtesy)

Living Hard finds Gary Allan in road-gritty, country-rocking mode. It's probably his most rocked-up CD ever, especially on tunes such as "Wrecking Ball" and the title track. Even the first single, "Watching Airplanes," seems more steeped in rock than country. But the California-born, Nashville-based musician still feels he belongs in country. He's also still living in the same house where his wife Angela committed suicide three years ago. I talked with Gary last Saturday. Catch my story on him in GuideLive this coming Thursday.

A Starpoint flashback...and sad, but late, news


(Courtesy)

So I'm totally into '80s R&B. Have been since, well, the '80s. Wounded Bird Records, perhaps THE best CD reissue label around today, just released two Starpoint CDs, 1983's It's So Delicious and 1984's It's All Yours. Both were predecessors to 1985's gold-selling Restless with the breakthrough pop-crossover hit "Object of My Desire." That tune's a jam. It's All Yours, which I spun this weekend, is a good little CD, specifically the ripping title track, the reggae-kissed "Send Me a Letter" and the big ballad "This Is So Right." After listening I got all nostalgic for Starpoint so I did an internet search. Now I'm sad. Ernesto Phillips and Renee Diggs, both integral members of Starpoint, are dead. Ernesto died after a stroke in March 2004. Renee died of complications from multiple scelorsis a year later. I had no idea. Now I need to go home and listen to all my Starpoint CDs.

Serj Tankian goes solo with 'Elect the Dead'


Serj (Darragh McDonough)

Some quick facts about System of a Down's crazy-haired Serj Tankian:

• He's got a solo CD out, Elect the Dead.
• He's a big fan of the Sulpher Springs-formed act, Fair to Midland, adding that, "I'm fans of very few rock bands, and they're one of them."
• He's playing at Granada Theater tonight at 8, with Primus guitarist Larry LaLonde as part of the backing band.

Read more about him in Mike's story from today.

October 17, 2007

More and more Mode


(Courtesy)

All done, folks! Every single vintage Depeche Mode studio CD is now available in a deluxe edition, some with bonus tracks and all with an accompanying DVD documentary as well as expanded liners notes and lyrics. The final two to arrive in stores were 1997's Ultra and 2001's Exciter. For the completist, the other deluxe editions already available are: 1981's Speak & Spell, 1982's A Broken Frame, 1983's Construction Time Again, 1984's Some Great Reward, 1986's Black Celebration, 1987's Music For the Masses, 1990's Violator and 1993's Songs of Faith and Devotion.

Weatherman hums...


(Courtesy)

Come on, admit it. How many times have you been watching The Weather Channel's "Local on the 8s" forecast and found yourself humming to the smooth jazz rhythms playing as the graphics flash on the screen? Now you can relive that climate cool with The Weather Channel Presents: Smooth Jazz, a disc that includes cuts from Dave Koz, Najee, Chick Corea, Jeff Lorber, Pieces of a Dream and many others. The CD includes 12 songs out of more than 3,000 that were spun during the "Local on the 8s" segment. The selections were chosen by Steve Hurst, the "DJ" for those local weather pieces.

Daily CD Review: Polysics


(Courtesy)

Polysics, Polysics or Die!!!!: Vista (MySpace): In taking a gander at this Tokyo act's getup, it's obvious that it emulates the mighty Georgia new-wave act Devo: matching jumpsuits, frameless and hyper-futuristic sunglasses, etc. (though blessedly, it doesn't cop the tiered red hats). So yes, there's visual kei here that's typical of many Japanese pop acts. But that and Polysics' synth-assisted, computronic delivery are all that it has in common with Devo. The music is best described as synth pop reconstituted through a cartoon-world meat grinder at hyper-human speeds -- mass-mashed postmodernism, if you will -- but the finished product is so resolutely chipper with caffeinated and virginal post-punk panache, you can't help but love it the same way Pac-Man loves to eat fruit. But on top of that, the compositions are frequently highly complicated with syncopated blips, freaky time-signature changes and seamless rhythm transitions that slyly satiate those ready (and rightly, most of the time) to discount J-pop as simple, toy-like and blasphemous. One listen to both "Electric Surfin' Go Go" and "go ahead now!" shuts up those folks right away. It can throw out guitar-engined, top-tier pop-punk, too ("Black Out Fall Out"). But perhaps the most telling track is its insane remake of the Knack's "My Sharona," which sounds like a tribe of Atari 2600 game cartridges commanded by a Commodore 64 voice generator slaughtering anything analog during an MS-DOS-led coup. It's fantastical fun and totally unique.

October 16, 2007

Next Tuesday in CD Land


(Courtesy)

Is everybody ready for a ridiculously busy week of notable releases? Of course the biggest of the bunch is Carrie Underwood's sophomore disc, Carnival Ride, the follow-up to her 6-million-selling debut, Some Hearts. Can she repeat that head-spinning success? You know how the music biz goes, sweetheart today, has-been tomorrow. Anyway, in addition to the American Idol champ, expect fresh music from Gary Allan (Living Hard), Depeche Mode's Dave Gahan (Hourglass), Shooter Jennings (The Wolf), Juanes (La Vida Es...Un Ratico), Mya (Liberation), Robert Plant and Alison Krauss (Raising Sand), Say Anything (In Defense of the Genre), Dwight Yoakam (Dwight Sings Buck) and Neil Young (Chrome Dreams II).

October 15, 2007

Daily CD Review: three's charming ...

... ugh. HATE it when I get behind!:


(Courtesy)

She Wants Revenge, This Is Forever (Geffen): Utter and abject drivel. Because Justin Warfield and Adam Bravin seduced me somewhat with their Interpol-ish post-electropunk odes to Modern English on its 2005 debut (and particularly after seeing Mr. Warfield's sensuous stage presence live), I was enthused about this supposedly darker follow-up. Problem is, it's dark because there's nothing of substance in it, not even light. Even the beats are numbingly derivative and could have been programmed by a three-year-old. If this is the new face of electro-goth, I want to be hap-hap-happy. Yes, it sounds like a slightly slower version of the self-titled debut, but at least it had some dynamism about it. (OK, wanna know what really sent me over the top? The fact that when you direct your web browser to SWR's official web site, it automatically re-sizes the browser window to full screen. Grrr ... that's like your car lowering all of the windows and opening the sunroof if it senses that the temperature outside is nice -- but it's actually raining small farm animals. Grrr!)






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Electric Six, I Shall Exterminate Everything Around Me That Restricts Me From Being the Master (Metropolis): Whatta title, whatta CD. I dig the way that this Jack White-approved Detroit sextet thumbs its nose at everything its home town stands for in pop music (best personified by Ted Nugent, Eminem and Kid Rock). That's why the Brits dig 'em -- well, that and the fact that Electric Six out-does most Brit bands in the let's-mash-this-up-with-that-and-call-it-bloody-genius bit -- and with a healthy appreciation for sonic humor, you can, too. This isn't a parody band, though: the songs are flat-out pale-boy neo-wave dank-disco greatness. The gut juggler "Down at McDonnellzzz," the Hives-via-Parliament rave-up "Rip It!" and the Princely electro-funk workout "Lucifer Airlines" could alone pace a thumpin' pizza party stocked with nothing but supremes. Recommended for fans of everything from Foo Fighters to Sly and the Family Stone.






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Emery, I'm Only a Man (Tooth & Nail): Screamo and post-hardcore bands are finally reading the writing on the wall. Some (Avenged Sevenfold, Atreyu) are trying straight metal, others (Mae, Copeland) are heading down the pop road; still others (Thrice, Underoath) are dallying with prog; and some milk the we-all-scream-for-my-scream aesthetic to its inevitable nadir. Emery sounds like it's paving a new path out on this CD: the road of tempered and tender tension. I'd say Brand New discovered this route (and that band can do nothing but scout and hack at it ... and I mean that in a good way) and Emery are smoothing it out with highly controlled, vintage-sounding rock songs about introspection and inter-personal excess. Unlike so many post-hardcore outfits, nothing sounds over the top on I'm Only a Man, and the sense of aural discovery (trumpets here, slide guitar there, entirely appropriate electronica fills everywhere, etc.) gives this disc a sugary palatability. The songwriting and musicianship is just average, but this disc's higher-class and more formal duds -- think of a reigned-in emo kid in college who's all dressed up for its first internship interview -- is refreshing. Now it just needs to learn how to color coordinate, tie its necktie properly, get a haircut and talk without interjecting "like" and "totally" into every other sentence ...

Led Zeppelin (finally) joining digital age


Robert Plant, left, and guitarist Jimmy Page (AP)

When I first started downloading music, I wondered why I could find songs by every artist in the book except for my favorite classic rockers, Led Zeppelin. The band was one of the last biggies to resist selling its songs online, but AP is reporting that now we'll be able to buy Zeppelin music on the internet starting Nov. 13, the same day its double-disc best-of album is released. RAWK!

TELL US: What Zeppelin songs, if any, will you add to the ol' iPod? Comment below.

Read about the band's 21st century entrance here
Led Zeppelin's wiki entry
• Hear a little Led on allmusic.com (type the band's name into the search bar)

October 11, 2007

Britney Spears Blacking Out early


(mydailycelebritynews.com)

Brit's inexplicably-named CD Blackout will actually be released Oct. 30 instead of Nov. 13 because of all the content leak on the internet. We've been having fun with the album title, much to Chris Crocker's likely chagrin.

Americana with a psychedelic twist


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Cosmic country comes back for another trip in the form of Toronto's the Sadies. On the four-man band's latest CD, New Seasons, brothers Dallas and Travis Good craft a modern-day paean to the Byrds, the Flying Burrito Brothers and Buffalo Springfield. The wistful harmonies are there, so is the breezy yet swirling merger of surf rock, psychedelic country and even a little bit of bluegrass tossed into the mix. After one listen you'll think you've been transported to Southern California circa late '60s, early '70s. But fans of the Texas cosmic country movement, namely Ray Wylie Hubbard and Steven Fromholz, should be able to relate as well. There's an organic independence at work here that would play well in these parts.

Daily CD Review: another dose of dos


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Band of Horses, Cease to Begin (Sub Pop): Band of Horses' timely blending of shoegaze, southern rock and indie pop has turned a multitude of heads; Rolling Stone just named it a "Hot Band" in its just-printed Hot Issue, for instance. And with this sophomore follow up, its definitely progressing past the moody, psychodramatic echoes, swells and riffing on its debut, Everything All the Time, to become a band with a true sonic agenda. First reason for that: founding member Mat Brooke exited the band last year, leaving the primary reins to singer-bassist Ben Bridwell (or would that be Beardwell? Heh). Second reason: Mr. Bridwell moved back home near Charleston, S.C., leaving the Seattle/Portland indie scene that spawned BoH behind. Both are master strokes in the context of Cease to Begin, because the record's obvious signs of growth -- less nuance-masking reverb, more nascent energy, tighter and poppier songwriting and a closer flirtation with southern rock and country -- are all positives that appear to be borne from those two events. High points include the soaring "Is There a Ghost" and the melancholy "Detlef Schrempf," and though there are flat spots (What's the point of "Lamb on the Lam (In the City)"? Someone please tell me), this disc feels like a proper album with proper direction.






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Lions, No Generation (self-released): I wonder what the reasoning was behind this Austin weed-metal act's refusing to sign with a label this past spring. Several, including the almighty Roadrunner Records and Warner Bros. Records, were actively courting Lions after a roaring turn at South by Southwest. The official Lions line: "They believe that they know the vision of the band better than any A&R or marketing rep for ... any other major." OK, that's fair. But deciding to self-release this sophomore CD was a mistake in my mind, and here's why: the sound and mix of the CD doesn't come close to doing Lions' insistent and groovy retro-stoner sound justice. Singer-guitarist Matt Drenik's Perry Farrell-meets-Bob Dylan-by-way-of-Shannon Hoon voice and Trevor Sutcliffe's deeeep Triumph-ant bass are shoved so far back that "Can You Hear Me?" can't really be heard, and the sinewy and measured "White Angel" doesn't fly. No Generation's songs have to roar hard (opening track "Start Moving," the virulent and anthemic "Evil Eye," the cheeky proto-Spinal Tap ditty "She Gets Around") to have any effect. Fans of fiery retro-stoner metal should attend tomorrow night's CD-release show at Double Wide to witness Lions' prodigious live presence, because it's not captured well enough here.

October 10, 2007

Little Big Town's time travel


Dig the '70s-hued CD cover! (Courtesy)

Pardon me while I do some early gushing. Little Big Town's third CD, A Place to Land, comes out Nov. 6. But I've been listening to an advance copy sent by the band's publicist. LBT fans are in for a serious treat! They've taken the best of The Road to Here, their breakthrough 2005 disc, and embellished it. The group's style, laced by stunning four-part harmonies, is firmly stationed in '70s Fleetwood Mac/Eagles territory. They've kept the country flavor that made Road so organic, but on new tracks such as "Fine Line" and "Fury" the influences are gloriously obvious. The '70s sound so good in 2007.

Next Tuesday in CD Land


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Angie Stone might as well be the new poster child for the retro soul movement. Her upcoming CD, The Art of Love and War, is the first new studio album on the rejuvenated Stax label, now part of the Concord Records family. In it she sings with Betty Wright and James Ingram. Hello! Does it get more cool old-school than that? Ms. Stone heads the week of new releases which also includes discs from power poppers Jimmy Eat World (Chase This Light), rock Gods R.E.M. (R.E.M. Live), contemporary pop-rockers The Fray (Reason EP), electronica vets Underworld (Oblivion With Bells) and the queen of soul Aretha Franklin (Rare & Unreleased Recordings From the Golden Reign).

October 9, 2007

Daily CD review: Double the fun


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John Fogerty, Revival (Fantasy): The feud is over, folks. No longer will you need to visit a Creedence Clearwater Revisited gig to hear genuine CCR greatness. John Fogerty's back at Fantasy Records, and he's buried the hatchet that precluded him from playing CCR material. Not that his solo stuff really deviated from it much ... but the shift appears to have revitalized him musically in every conceivable way. Revival is tremendous fun to listen to; each track shimmers with the same cagey Midwestern glee ("Don't You Wish It Was True," especially) that he had largely lost since "Centerfield" became such a vernacular American hit. He even grits his teeth and throws out both a phenomenal Chuck Berry-esque cowpunk ripper ("I Can't Take It No More") and a infectious blues shuffle with a chorus that's serves as a more-than-worthy shout out to James Brown ("Somebody Help Me" ... and yep; Mr. Fogerty skips the enunciation and yelps "hep me!" on it). This is Mr. Fogerty at his laid-back, perpetual-grin best. It's my nomination for Comeback Album of the Year so far.





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John Ralston, Sorry Vampire (Vagrant): I'm curious to see John Ralston open for Dashboard Confessional tomorrow night at the Palladium, and this ambitiously layered album is the reason. Some of the defty recorded songs -- most notably the opener, "Fragile" -- have been in some sort of recorded form since 2004, when Mr. Ralston was still struggling with alt-country act the Legends of Rodeo. Since his uneven self-released 2005 debut, Needle Bed, was taped in a week, this CD is a massive change of pace and approach, particularly for a still almost totally unknown indie artist. Sorry Vampire is worth the effort -- each track seems to float around the others like skydivers tethered together by Mr. Ralston's whispery Nick Drake-ish baritone and a orchestra of instruments, from tone generators to a tongue drum -- and the songs reference styles as diverse as folk, techno, punk, metal and Britpop (the late Beatles-Oasis school). But how will Mr. Ralston pull it off live? Maybe he'll go unplugged a la Dashboard's Chris Carrabba, which would reveal how well conceived many of Sorry Vampire's songs are. Keep an eye on this multi-instrumental Floridian (and keep an eye out for a series of stripped-down EPs in early 2008); he's a keeper.

October 8, 2007

More Britney

Mike, she can try to "blackout" all the years of her life that she wants to. But let me tell you, a CD title just ain't gonna do it. If rehab, divorce, motherhood and MTV embarrassment didn't do it, a CD title sure isn't.

Those funky Latinos


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One of the latest installments in the Music Rough Guides series, Latin Funk offers a slamming sampling of underground Latin music with heavy R&B elements. For the adventurous, this set of 14 tracks includes some name artists, such as Los Amigos Invisibles, Bitman & Roban, Nortec Collective, Ozomatli and Los Mocosos. But arguably the most creative cut here is Antibalas' "Che Che Colé Makossa," a meshing of Manu Dibango's groove-a-licious "Soul Makossa" and Willie Colón's salsa staple "Che Che Colé." The results? An urban barrio concoction that sounds psychedelic, tropical and, well, funky. By the way, check out these other Rough Music Guides: Salsa Clandestina, Latino Nuevo and Salsa Dura NYC. All musical lessons should be this sizzling.

October 5, 2007

Cigs, gas and Emerson


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After three albums as lead singer of alt-pop group Tonic, New Jersey native Emerson Hart flew solo with his recent CD, Cigarettes & Gasoline. Seeing him in concert Wednesday night at Nokia Theatre with Collective Soul and Live made me pop in his disc. It's a rather personal batch of songs, from breakups to hometown and family nostalgia, but Mr. Hart makes it all easily digestible by crafting fluid melodies, catchy hooks and giving the proceedings just enough guitar and drums kick. This isn't anything new or monumental, of course. But not too unlike Tonic's signature hit, 1996's "If You Could Only See," Cigarettes & Gasoline offers pop-rock with a modern sheen. That means it's a little emo, a lot infectious and polished without sandblasting the quirky edges.

October 3, 2007

Daily CD Review: Another Animal


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Another Animal, Another Animal (Universal/Republic): Some would consider Godsmack frontman Sully Erna as an animal. So this band -- basically that band with ex-Ugly Kid Joe singer Whitfield Crane subbing for Mr. Erna and with Godsmack's original guitarist, Lee Richards, as well as its current axman -- has a somewhat fitting name (pretty lame album cover, though). I assume that Mr. Erna's pre-occupied with a high-stakes poker game somewhere ... anyway, the music here is essentially a rushed package of extra riffs that didn't talk 'smack to Mr. Erna. Yep, they're all his rejects, recorded in three weeks in Boston. As such, most don't adhere to Godsmack's leaden, whip-wielding heavy rock template ("Find a Way" comes the closest), but instead are delivered with a more classic and open-minded sensibility. "The Thin Line" barks like neo-punk; "The Beast Within" broods like an Eddie Vedder-fronted Jane's Addiction; "Black Coffee Blues" bleeds King's X crossed with Corrosion of Conformity; "Broken Again" builds like Creed blended with Alice in Chains. But overall, it's a plain and at times blasphemous listen that breaks no shackles.

October 2, 2007

Daily CD Review: Dashboard Confessional


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Dashboard Confessional, The Shade of Poison Trees (Vagrant): Here's a case where going back to basics was both a smart move and a no-brainer. Soft-hearted hard-core Floridian Chris Carrabba gave up rocking out for strumming as Dashboard Confessional and essentially invented the neo-emo singer-songwriter aesthetic in 2000. DC's last two albums, however, have gone pianic and electric, which shoved him closer to the pack of pretenders that he distanced from by going acoustic in the first place. The result: poor sales, a dwindling fan base and songs that lacked hooks and nuance. With this effort, he plugs away unplugged again, and the results are much improved, especially since the now 32-year-old Mr. Carrabba is finally writing songs as grown up as he is. "Where There's Gold ... " is a fine snarky four-chord opener; "The Rush" showcases a not-half-bad falsetto that replaces his youthful alto screech; "Thick as Thieves" may be his finest pop song (and does concede the CD's only electric moment). His punker roots are back too: the disc is only 33 minutes long, and only one song is longer than three minutes. Yes, the variety isn't all that gossamer, and Mr. Carrabba's implicit demi-Christian approach still shows up (check out the album cover for a clue to that). But conciseness has always stood Mr. Carrabba in good stead, as has his understated spirituality.

New CDs: Springsteen, Brooks & Dunn, more

Read the reviews and let us know what you think.

October 1, 2007

Daily CD Review: Three short 'uns

Missed Friday, so I'll include an extra "behind the door" late this afternoon as well as one for good luck (and the fact that Sept. 25 had so many notable releases ... I'm not even gonna get to Matt Pond PA (oddly serene and beard-worthy), Bettye LaVette (oooh, good stripped-down soul), Dethklok (heavy as heck in a goofy Spinal Tap-meets-Danzig-by-way-of-Deicide kind of way), Raul Midon (meh), Small Sins ... ) Man. Anyone know where I can buy an extra day? Or maybe how I can listen to music while sleeping? I'm keeping these short, too ...


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The Weakerthans, Reunion Tour (Epitaph/Anti-): The poetic Winnipeg-based indie-pop band's fourth studio CD at first charms, then puzzles. Granted, that's kind of what the Weakerthans want. But in this case, the puzzlement is twofold for me. The 11-track collection starts out strong with the superb, bounce-inducing "Civil Twilight" and the delightfully obtuse "Hymn of the Medical Oddity," but it hits a three-track lull twice: before and after the bizarrely golden spoken-word exercise "Elegy for Gump Worsley." Then there's John K. Sampson's vocals, which sound like a plebian Rivers Cuomo or Jim Adkins to my ears. Closing with a the sufficiently folksy and orchestral title cut and a snivelly tongue-in-cheek "Utilities" brings the disc together nicely; it's just the book in between has too many dead chapters.

Continue reading "Daily CD Review: Three short 'uns" »

September 28, 2007

A blast from Miss Ross' past


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I'm on a Diana Ross kick, especially after reading Diana Ross: A Biography (Citadel Press, $26.95). Today I'm playing Baby It's Me, Diva Diana's overlooked 1977 gem. This album, sadly long out of print, suffered from Motown's classic half-hearted promotion. It should have been huge. Produced by Richard Perry, Ms. Ross is in great voice on all 10 tracks, especially the sexy single "Gettin' Ready for Love," a lovely cover of Melissa Manchester's "Come In From the Rain" and three uptempo winners - "You Got It," "Your Love Is So Good For Me" and "Top of the World." The latter two are disco warm-ups, tunes that followed "Love Hangover" and preceded "The Boss" on the dancefloor. This disc's worth seeking out.

September 27, 2007

The indie label that can...and does


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New Jersey's Shanachie Records, the cool little indie label that continues to expand its stylistic scope, released three CDs Tuesday: influential country crooner Gene Watson's In a Perfect World; former Sounds of Blackness vocalist Ann Nesby's This Is Love; and the Three Tenors of Soul's All the Way From Philadelphia. That trio of creamy R&B singers is Russell Thompkins Jr. of the Stylistics, William 'Poogie' Hart of the Delfonics and Ted 'Wizard' Mills of Blue Magic. What a diverse array of music in just three releases. That's Shanachie for ya!

Stay with Latin music, Ricky


(Sony BMG Norte)

Let's hope Ricky Martin's last English-language CD, 2005's artistic and commercial flop Life, was his final attempt at another mainstream frenzy a la "Livin' La Vida Loca." And that's said with complimentary thoughts for the Puerto Rican singer-entertainer. The guy belongs in Latin music. His most recent all-Spanish studio disc, 2003's Almas Del Silencio, proved he could tackle deep material, most notably Ricardo Arjona's exquisite ballad "Asignatura Pendiente." He does that song on 2006's MTV Unplugged, another worthy effort that leaves no doubt Ricky should sing in his native tongue. Look for my interview story with Mr. Martin Oct. 5 in Guide. He performs Oct. 6 at Nokia Theatre in Grand Prairie.

Daily CD Review: Joni Mitchell


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Joni Mitchell, Shine (Hear Music): I'm going to resist talking about the hypocrisy of Ms. Mitchell, who'd retired from music for a while because of her perceptions about its corporate aims, signing to Starbucks' music label (and the fact that Paul McCartney was the first to release a CD on it is a signal that mayyybe the situation isn't as prickly as it seems on its face). But her reputation as a maverick isn't bolstered by this elegant but wonky and ground-down collection, which only resembles her folk-hero heyday in its high-minded and progressive lyrical content. Shine continues her forays into light jazz -- which I'll grant does showcase her graceful songwriting prowess better -- and its applications to other arts that she now pursues (namely, visual art and dance; "If," "If I Had a Heart" and a redux of "Big Yellow Taxi" all appeared in a ballet that she penned recently). But as presented, this jazz fits better in a coffeehouse (surprise!) than a new-age, SoHo-basement bungalow lounge; the horns, guitars, keys and Ms. Mitchell's wrinkled but meditative voice are all stirred into an underflavored mocha in need of an extra shot. Not that this album is bad -- it's far from it. But one has to concentrate way too intently to pick out Ms. Mitchell's complex melodies, nuanced singing and craftily placed fills (oh, the journey that the title tracks provides is reason enough to buy it as an online single). And you can't do that in a freakin' Starbucks.

Daily CD Review (from Wednesday): Down


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Down, Over the Under (ILG/Warner Music Group): When Pantera split way back when, the Abbott brothers stayed in one camp and the two others -- vocalist Phil Anselmo and bassist Rex Brown -- pretty much went waaay the other way. Both are New Orleans natives, and they'd already been stepping out of Pantera's scream-triggered rat-a-tat beatbox with Down, a manufacturer of gigantic and lumbering walls of classic-seared Southern sludge metal with members from two other New Orleans bands: Corrosion of Conformity and Crowbar. It was a side project for all involved until Katrina hit more than two years ago. Over the Under is the act's third product (and first post-devastation), and its the first that actually sounds cohesive and thought-out enough to seem like a full-time band created it. Compared with the first two Down discs, this one has enough well-planned layers (doom, stoner, Southern rock, even bits of grunge) and structured and consistent melodies to keep a listener intrigued. And the biggest surprise of all is Mr. Anselmo, who's sounding like a cross between Layne Staley, Chris Cornell and Ronnie Van Zant these days and screams very little. The playing is sloppy at times and the gloomy production clogs some songs' flow, but Over the Under is the calling card of a band now truly complete thanks to purpose borne from tragedy.

September 26, 2007

Daily CD Review: delayed

Thanks to three interviews today and a wish to nap before seeing two of the better hard rock bands in the country (High On Fire at the Granada and Burning Brides at Double Wide), I'm gonna delay today's Daily CD Review until tomorrow. One will be on Down's Down III - Over the Under; the other will likely be on Joni Mitchell's Shine.

A tease: both are worthy -- and believe it or not, for similar reasons.

All hail Reba!


Reba at Country Thunder 2007 (Ben Sklar/DMN)

Yes, Christy, Reba McEntire is Queen of the Pop Albums Charts. Well, at least for a week. Her 301,000 copies sold during the first sales week of Reba Duets marks her best sales week ever, according to Nielsen SoundScan. Who would have ever thought the melodramatic country singer could race past the rap feud between Kanye and Fiddy? Only in America!

Remember that last name: Jonas


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Oh the kiddies! New Jersey siblings Nicholas, Joseph and Kevin Jonas are surely all the rage now, thanks to Disney Channel exposure on Hannah Montana and their upcoming series, J.O.N.A.S.! The trio's second album is still hot, staying in the Top 30 of Billboard's album charts nearly two months after its release. The CD's sure catchy, especially that opening track "S.O.S." But after a while it all starts to sound the same. Think Hanson gone emo! That is until you get to the final cut, "Kids of the Future," which is a retitled cover of Kim Wilde's '80s hit "Kids In America." Fun, fun tune! Now I can't get Kim's orginal out of my head. Thanks guys! Anyway, catch Jonas Brothers on the Chevrolet Main Stage at the State Fair of Texas Oct. 8.

Reba takes No. 1, does it without talking smack

Reba McEntire's Reba Duets has hit the top spot on Billboard 200, knocking Kanye and Fiddy's warring albums down a notch. On the other side of the two rappers is Barry Manilow (Greatest Songs of the Seventies) at No. 4. I can't imagine artists any more different than Reba and Barry Manilow to bookend the Kanye/Fiddy brouhaha, which I hope we've heard the last of.

September 25, 2007

Daily CD Review: Melissa Etheridge


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Melissa Etheridge, The Awakening (Island): Is it me, or has Ms. Etheridge's voice smoothed itself out? Must be the resurrection that she's encountered: first as a breast cancer survivor (an experience that forms the basis for this disc's autobiographically metaphysical songs) and then as a surprise Oscar winner earlier this year for "I Need To Wake Up," the theme song from Al Gore's global warming biopic An Inconvenient Truth. That's the overall impression I have of this, the sorta-kinda mother of four's ninth studio album: Smooth. And safe, as in there's nothing beyond the dramatic and confessional folky anthems that have been Ms. Etheridge's stock in trade for nearly 20 years. Of those, the album's final track, "What Happens Tomorrow," is far and away the best tune here, with its epic, wide-angle arrangement, crescendic climaxes, idyllic bridge chant and utopian lyrical vision. It's a proper disc closer, something that albums lack almost across the board these days. Nothing here resembles "Come to My Window" or "No Souvenirs" -- in fact, Ms. Etheridge's music lacks the romantic rollick that endeared her to so many in the late 1980s -- but as her output goes, The Awakening is a firm, if not overly slick, continuation of her career. Not a resurrection: a continuation.

Take flight with Syntek


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So on his new CD, Lección de Vuelo, Mexico's Aleks Syntek went the conceptual route. Well, sorta. The songs are all sequenced as if they were courses in aviation school, hence the title of the CD, which translates to Flight Lesson. Sonically the disc isn't as '80s synth-pop as was 2003's fabulous Mundo Lite. This time the bespectacled Aleks uses more sonic textures and even veers a bit in the pop-R&B direction. He's still hooked on the synthesizers, though. Once an '80s geek, always an '80s geek.

September 24, 2007

Daily CD Review: a two-fer!

I'm gonna count the weekend as a day this week, since I've got two Sept. 18 releases with local interest to talk a bit about here. Tomorrow is new-release Tuesday, so I'll start with the obscene amount of Sept. 25 releases then. In the meantime ... :


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Doyle Bramhall, Is It News (Yep Roc): Fort Worth native Mr. Bramhall's best known for being Stevie Ray Vaughan's go-to songwriting partner back in the 1980s (SRV patterned his singing style after Mr. Bramhall, too). The 58-year-old Mr. Bramhall doesn't release original studio albums much at all; in fact, he's got only two formal ones to his name, and this latest effort is so peppered with guest spots that it's a borderline compilation. But oh, what a phenomenal compilation it is. Recorded in five studios in four states, Is It News belches and burps swamp blues thanks to Lafayette, La. guitarist C.C. Adcock (one of my personal favorites, by the way), who co-wrote half of the songs. Most notable of these is "Lost in the Congo," which could be the most thunderously thick and greasy blues ditty ever recorded, filled as it is with ghostly reverse-arpeggio string slicing and a bass-drum thud as huge as a gulf-coast oil platform. Tracks such as that, the fuzzed-up chest beater "Big" and Mr. Bramhall's own chopped-up Loosie-annah boogie "Tortured Soul" are counterpointed by the gooey Memphis-soul exercise "I'll Take You Away" and two glistening acoustic spots: the instrumental "You Left Me This Mornin'" and the memorably forlorn "That Day." I just listened to the latter again, and I've got shivers. Something tells me that I'll get the same shivers when I hear it again in five years ... or 50, if I'm lucky.

Continue reading "Daily CD Review: a two-fer!" »

Oh those super bad Sisters


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More kudos to wonderful little reissue label, Wounded Bird Records, for continuing to dig up now seemingly obscure albums and releasing them on CD for the first time. I spent part of the weekend listening to Sister Sledge's 1982 set The Sisters. Notable not only for having the quartet's final Top 40 pop hit, their cover of Mary Wells' "My Guy," but also for tackling "All the Man That I Need," which Whitney Houston later turned into a bombastic staple. Aside from those two, you'll find sunny pop-soul in "Super Bad Sisters," Lightfootin'" and "Il Macquillage Lady."

Mika's fun, musical cartoon


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Been digging Mika's debut CD, Life in Cartoon Motion, a cool, very British-sounding merger of dance, pop, Broadway and electronic elements fueled by the singer-songwriter's youthful, whimsical spirit. Cool cuts include the club tracks "Relax (Take It Easy)" and "Big Girl (You Are Beautiful)," the lovely ballad "My Interpretation" and the quirky-cute "Lollipop."

September 21, 2007

Ye Vs. Fiddy; "Whatchu' want me to do, I'm sorry! I'm back..."

We all know Kanye beat 50 Cent like he stole something when their CDs were released last week, selling almost a million alone to Fiddy's close to 700,000 total. Well, don't look for your boy to sulk quietly into the night — not only is he staying in the music biz, he's hitting the road to promote his CD worldwide.

According to Hollyscoop.com, Fiddy got fans worried when he cancelled his entire European tour earlier this week, but now he is trying to make it up to his disappointed fans by doing a series of UK shows later in the year.

A source said: "50 wants to go to Britain and perform tracks from his new 'Curtis' album for his UK fans. He doesn't want to let them down."

The funny thing is that his new UK tour is just about the same time when his rival Kanye will be hitting up the UK for his own tour.

Will this turn into a concert ticket race now....will there be a Ye and Fiddy face-off on stages all over the UK??? Place your bets, folks....

Kanye and Steely sampling

By now most Kanye West fans know his single "Champion" is built around a Steely Dan sample (more specifically a sample from my favorite Dan song, "Kid Charlemagne," allegedly based on the exploits of acid king Owsley Stanley ). It's just another example (or sample) of the hip-hop world's love for the Dan. Other samplers over the years have included De La Soul, who borrowed the hook from "Peg" for "Eye Know"; and the blink-and-you-missed-'em Lord Tariq and Peter Gunz, who jacked "Black Cow" for their one hit, "Deja Vu (Uptown Baby)." The attraction is easy to see: Steely Dan's tight, jazzy hooks are tailor-made for hip-hop samples. It doesn't take a Kanye-level producer to figure it out.

Oldie but goody: Hunky Dory

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Oh! You pretty thing (digital file)

A lot of my disc purchases of late have been catalog fill-ins - stuff I think every pop fan (including myself) should own. So this week I've been rocking out to the 1971 David Bowie album Hunky Dory, which I somehow didn't have. And I do mean rock out. I forgot what teeth early Bowie had, and what a kick-ass band. I could listen to "Oh! You Pretty Things" all day. My favorite thing about the album is that only one song -"Changes" - has been drilled into my head ad infinitum by radio play. It's like catching up with a great movie that slipped my diligence over the years.

Daily CD review: Eddie Vedder


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Eddie Vedder, Into the Wild soundtrack (J): Sean Penn's a freakin' genius. Though I haven't seen Into the Wild yet, I plan to soon since I'm intrigued by the story of Christopher McCandless' doomed pilgrimmage to Alaska (and, like he, I'm fascinated by the wilds of the state, which I visited for the first time this summer). His choice of Pearl Jam frontman Eddie Vedder, who in ways is as peculiarly enigmatic as McCandless was, to score the film was sage. Mr. Vedder's barren soundtrack is terse -- 33 minutes flat, and only three of the 11 songs clock in over three minutes (none before the seventh track, the Gordon Peterson cover "Hard Sun") -- but it's shiver-inducing and graceful in how it captures the sparse, nomadic continent-roaming aims of McCandless' final days. Mr. Vedder strums a prickly mandolin in "Rise," and coos like a wild dog in the organic instrumental "The Wolf." "Tuolumne" may replicate Kansas' "Dust in the Wind" a bit too banally (think of it as "Dust in the Wild"), and the hymnal, rise-and-fall heaves of "Guaranteed" may come off as melodramatic -- this is a movie soundtrack, after all -- but this collection is a monumental accomplishment for Mr. Vedder and should garner him serious Grammy consideration.

More Donnas

True, Mike, that's an unidentified rear end. Could be either male or female. That is part of the intrigue, of course. Either way, it's a, well, bitchin' CD cover.

The Donnas, covered

I know, Mario; that's a fun-looking bum on Bitchin's purple-hazed cover. And it raises the same question that Get Lucky prompted from me and so many others way back in 1981: is that a male or a female stuffed into those tight leather pants? I know that I'm still undecided ...

The Donnas

Mike, I couldn't comment one iota on the Donnas' new CD. I have yet to hear one note of that band. But I'll tell you, that CD cover is SO cool. It reminds me of Loverboy's Get Lucky cover. I just dig it!

September 20, 2007

Daily CD review: the Donnas


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The Donnas, Bitchin' (Purple Feather): Jeez, I'm sooo disappointed. I'll admit to being a "Donnaholic," especially after the Palo Alto, Calif. gal pals-turned-party rock femme fatales moved beyond the Joan Jett-Ramones template (and finally dropped the Donna A-R-F-C stage names) and into fantastically snappy arena rock with its last three albums. Gold Medal, its most recent effort, contains some great playing, and in person the band is as wily, confident and self aware as any. I figured that the resurgence of classic pop metal would shoo this quartet into stardom's gold-gilded coop right about now, but Atlantic had had enough and dropped 'em. Now the Donnas has its own label, and its first post-major product is fraught with sameness and a lack of flash and recorded attitude. Bitchin' is a lazy regression back to simpleton, riff-driven punk, whereas Gold Medal gave us a peek at what the Donnas could have grown from. Essentially, the new CD is an attempt to grab Ms. Jett by the hair and scream, "We're assuming your role now; move along!" (in fact, the riff on "Don't Wait Up For Me" is a ripoff of "I Hate Myself For Loving You"). Thing is, Ms. Jett's got game, even at twice the Donnas' individual ages. The Donnas have game, too, but evidently it would rather ride the bench then be truly heroic.

Kanye is the s ... uh, winner. Daaamn!

I figured that Kanye West's Graduation woud outsell 50 Cent's Curtis during the first week of each's release by about 150,000 copies,a and that Graduation would top out at about 700,000. Mr. West's work simply appeals to a broader type of music fan, and the hype surrounding the showdown seemed to favor Mr. West slightly.

But boy howdy, I didn't expect these numbers. Billboard magazine reports that Graduation narrowly misses going platinum in a week, selling 957,000 copies -- both digital and physical, of course -- which obliterates this year's single-week sales mark set by Linkin Park's Minutes to Midnight. Fitty moved 691,000 units of Curtis, which is only 72 percent of Kanye's tally.

And there's an ironic-as-heck sidebar that gives 50 Cent more reason to "die tryin'," as promised in how vow to retire if Mr. West outsold him; the last album to sell more than a million units in its first week was his 2005 blockbuster, The Massacre. That's now quite the fitting title for this hop hop-titan showdown.

But I'm betting that the competition's not over. As the fall progresses, I believe that Curtis has a fair chance to overtake Graduation in sales, since major hard-core hip hop records tend to sell stronger for longer -- T.I., Akon and UGK have demonstrated that recently -- and as the novelty of the semi-experimental and, at times, plodding Graduation fades. In my opinion, it's Mr. West's weakest album. Hang in there, Fitty.

New Music Tuesday (late again)

I'll be frank: ACL kicked my hiney. OK, not really; I survived fine, and had an immersive ball down Austin way. But alas, I'm behind on my CD-review-a-weekday promise ... by five. I won't quite catch up here, but I'll offer up a few more succinct impressions from four releases from last week. Then, starting tomorrow, the proposed routine will become routine. I hope.


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Hot Hot Heat, Happiness Ltd. (Sire): I dig it, but not enough to be leaping head over heels. I expected more from these guys, but the assimilation of a new guitarist and a predilection toward futzing with song structure appears to have prevented Hot Hot Heat from turning into a buzzier second coming of Dexy's Midnight Runners (which is what I was hoping for). "5 Times Out of 100" and the title track are the best cuts, and unfortunately the CD dies out after the seventh track, "Conversation." This CD's still a whimsical listen; it just doesn't up HHH's game much ... and if anything, it demonstrated that maybe the band's getting a little long in the tooth.

Continue reading "New Music Tuesday (late again)" »

September 19, 2007

Is Fiddy the new Garth Brooks?

50 Cent threatened to retire if fellow rapper Kanye West sold more CDs than him during the first week of the rhymers new releases, Fiddy's Curtis and Kanye's Graduation. Well Kanye emerged victorious by almost 300,000 copies. So is Fiddy gonna hang it up or is he gonna pull a Garth Brooks, who's been "retired" for years but still performs and releases records? What do you think?

Also online
Kanye West's album outperforms 50 Cent's

Annie Lennox!

I don't know about you guys, but I'm SO looking forward to Annie Lennox's upcoming CD, Songs of Mass Destruction, which comes out Oct. 2. All I've heard is "Dark Road," which amazon.com has a video for on its website. But wow, the song is powerful. I've been into Annie since the Eurythmics did "Sweet Dreams (Are Made of This)." I've seen her in concert. The woman is the coolest combination of heightened drama and laidback soul. Love her!

September 18, 2007

Fall CD releases: Let the listening begin!

Some of my faves on the list: Jill Scott, Mary J. Blige, Steven Curtis Chapman, the Led Zeppelin compilation, Blake Lewis ...

Our music critic Mario Tarradell put together a handy list of the hottest new albums coming out this fall. Initial assessment? Oh man; this is a lotta music.

Fall disc debuts:
List: Get ready for fall's bounty of CD releases
Survey: Which fall releases are you looking foward to the most?